Course Reserves
Below is a list of relevant titles currently being held on reserve in Ladd Library. These are designed to supplement your work in the studio.
Fiske, J., Becker, R., & Jenkins, H. (2011). Introduction to communication studies (Third edition.). Routledge. https://doi.org/10.4324/9780203837382
Lyon, E. (2012). Designing audio objects for Max/MSP and Pd (1st ed.). A-R Editions, Inc.
Manzo, V. J., & Kuhn, W. (2015). Interactive composition : strategies using Ableton Live and Max for Live (1st ed.). Oxford University Press.
Xenakis, I. (1971). Formalized music; thought and mathematics in composition. Indiana University Press.
Barrett, R. (2020). From Xenakis’s UPIC to Graphic Notation Today. Hatje Cantz Verlag.
Ritchey, M. (2019). Composing capital : classical music in the neoliberal era. The University of Chicago Press.
Chion, M., & Gorbman, C. (2019). Audio-vision : sound on screen (Second edition.). Columbia University Press.
Chion, M., & Steintrager, J. A. (2015). Sound : an acoulogical treatise. Duke University Press. https://doi.org/10.1515/9780822374824
Weis, E., & Belton, J. (1985). Film sound : theory and practice. Columbia University Press.
Farnell, A. (2010). Designing sound (1st ed.). MIT Press.
Shiffman, D. (2015). Learning processing : a beginner’s guide to programming images, animation, and interaction (Second edition.). Morgan Kaufmann.
Romero, Juan., Ekárt, Anikó., Martins, Tiago., & Correia, João. (Eds.). (2020). Artificial Intelligence in Music, Sound, Art and Design : 9th International Conference, EvoMUSART 2020, Held as Part of EvoStar 2020, Seville, Spain, April 15–17, 2020, Proceedings (1st ed. 2020.). Springer International Publishing. https://doi.org/10.1007/978-3-030-43859-3
Mathews, M. V., & Pierce, J. R. (1989). Current directions in computer music research. MIT Press.
Roads, C. (2001). Microsound. MIT Press.
Loy, D. G. (2006). Musimathics : the mathematical foundations of music. MIT Press.
Loy, D. G. (2007). Musimathics the mathematical foundations of music. Volume 2 (1st ed.). MIT Press.
Edstrom, B. (2016). Arduino for musicians : a complete guide to Arduino and teensy microcontrollers (1st ed.). Oxford University Press.
Haigh, C., Rogers, M., Dunkerley, J., & Audio Engineering Society, editor. (2021). Classical recording : a practical guide in the Decca tradition (1st edition). Routledge.
Cook, P. R. (2002). Real sound synthesis for interactive applications (1st ed.). CRC Press.
Novak, D., & Sakakeeny, M. (2015). Keywords in sound. Duke University Press. https://doi.org/10.1515/9780822375494
Toop, D. (1995). Ocean of sound : aether talk, ambient sound and imaginary worlds. Serpent’s Tail.
Bianchi, F., & Manzo, V. J. (2016). Environmental sound artists : in their own words (1st ed.). Oxford University Press.